Painted during Hale Arpa’s foundational decade in Istanbul, “Scream” (1988) reflects the artist’s rigorous dialogue with twentieth-century expressionism and existential figurative inquiry. Working with acrylic on canvas, Arpa applies broad planes of saturated pigment that simultaneously outline and dissolve the subject’s physical boundaries. The dimensions (57 × 45 in (145 × 114 cm)) establish an immediate, human-scale intimacy, commanding the viewer’s presence with unfiltered emotional candor.
Art historian and critic Antonio Del Guercio remarked that Arpa’s early works transform personal torment and private reverie into universal pictorial monuments. In “Scream”, color is not decorative but psychic: it breathes with somatic intensity, anchoring the female archetype between classical stillness and modern anxiety.